Although Hal Ashby directed a remarkable string of acclaimed, widely admired classics throughout the 1970s-HAROLD AND MAUDE, THE LAST DETAIL, SHAMPOO, COMING HOME, BEING THERE-he is often overlooked amid the crowd of luminaries from his generation. Amy Scott's exuberant portrait explores that curious oversight, using rare archival materials, interviews, personal letters, and audio recordings to reveal a passionate, obsessive artist.